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Billy suspected his mother was waiting for him; he must hurry, he thought. Yet he couldn’t resist showing off a bit. He bent over his wheel, went by the girls with a rush and a “Hello!” made a neat turn, wheeled a figure “8” around a team or two, shouted, “Don’t frame up anything there!” as he passed a second time, and whizzed through the arch in his own high hedge with one wheel in the air. Billy had been reeling off stanzas of his favorite “Lady of the Lake,”—“by the yard,” Mrs. Bennett said, acting it as he recited, somewhat retarding the work and endangering the dishes. Now he dropped his towel, caught up his mother and raced with her around the room. He was so strong that she was almost helpless in his grasp. “Kinder rocky.”.
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Conrad
The loft in the barn had been swept and garnished by Mr. Wopp for Betty’s moving picture show, and thither, after the preliminary how-d’you-do’s were over, she led her eager audience. Her head was held at the exact angle for ascending the ladder to perform the imposing duties of moving picture operator, and her foot was on the first rung when she suddenly thought of the collection box for the carrots the children were carrying. “I think you’ve broke my neck, kid,” he said, feebly, as quaking Billy helped him to his feet. At this juncture there was a knock at the door. It was Howard Eliot who had called for Nell. “This peacock,” went on Betty, showing the picture of a bird with plumed tail outspread, “is the white peacock of the moon. It lives in the moon, but when fairies want to come to play with li’l girls, they harness the peacock an’ drive down to earth in a silver chariot.”.
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